A Lyric Essay
Published by Astra House (2022-09-13)
A Library Journal "BEST BOOK OF 2022"
A Michelle Obama Reach Higher Fall 2022 reading list pick
"If there’s one book of the year for me, it’s Julian Aguon’s No Country for Eight-Spot Butterflies . . . [Aguon] reminds us of the importance of remarking beauty, storytelling and awareness as medicine. This book will expand your imagination and nourishes the soul of the world."
—Joseph Han, The Millions
“Aguon is a skilled and heartfelt writer, and his book will most likely be inspiring to readers who share his political analysis and seek out the personal stories hidden by geo-political conflicts.”
—Adrienne Ross Scanlan, New York Journal of Books
"No Country for Eight-Spot Butterflies . . . inspires activism and celebrates beauty worth preserving . . . [A] varied and heartfelt collection. The author's deep love for Guam's people and nature shines through."
—Rebecca Foster, Shelf Awareness
"[No Country for Eight-Spot Butterflies is] a moving, invigorating and deeply personal call to action from a man who has been working to combat some of the most important issues facing our world today; a deeply profound collection."
—Evan Rosen, Brooklyn Daily Eagle
"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page."
—Laura Sackton, BookRiot
"Skillfully balancing his individual struggles while stressing the importance of community, No Country for Eight-Spot Butterflies is a call for justice and protection for the environment, one that encourages both outrage and hope."
—Alejandra Gularte, Vulture
"Aguon's clear thinking and bright language illustrate the urgency of fighting global climate injustice . . . [His] clarity of focus and radical empathy are desperately necessary for imagining another world."
—Diego Báez, Booklist
"It is hard to pin down this book. It is political, in the sense that 'the personal is political,' but it is not a political history of the colonization of Guam by the United States. It is philosophical, but not dense, nor full of moral arguments . . . Perhaps it is easier, then, to call this book a gift: a gift to Indigenous communities everywhere in the world."
—Sarah Souli, Teen Vogue
“Aguon’s writing is not prescriptive, so much as it is a call to action to reimagine, to reclaim language . . . if colonization fails the imagination, and it kills dreams and self-realization, then self-determination is the cure and Aguon inspires a future of connection and liberatory possibilities.”
—Jason Wu, Truthout
"Moving and impassioned . . . This collection of essays, personal stories, speeches, and prose shines a light on the struggles of Guam, nuclear warfare, and global warming . . . While there are serious themes in this book, there is also plenty of hope. This short read packs a great deal of heart and promise for readers. Aguon has written both an informational and philosophical book that will please readers interested in environmental and political issues."
—Anna Kallemeyn, Library Journal
"[An] incandescent debut . . . In eloquent maxims that call forth comparisons to Thoreau, Aguon pits lofty ideals against a backdrop of racism, brutality, and habitat destruction, but optimism prevails . . . This is bound to inspire any activist."
—Publisher's Weekly, Starred Review
"A slender but meaningful call for justice."
"Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . The result is the most tender polemic I’ve ever read."
—Lenika Cruz, The Atlantic
"Julian Aguon connects the global struggles for justice with the local precision and anecdotes of Guam and Oceania. The result is this deeply felt book: Aguon writes so you understand the arguments for change with your mind and feel the urgency in your heart."
—José Olivarez, author of Citizen Illegal
"No Country for Eight-Spot Butterflies is a masterpiece, a literary talisman shaped by mad beauty and grief, evoking the magic of presence and poetry, warding off cynicism and injustice. I keep it close. You will too."
—V (formerly Eve Ensler), author of The Vagina Monologues and The Apology
“A powerful, beautiful book. Its fierce love—of the land, the ocean, the elders, and the ancestors—warms the heart and moves the spirit.”
—Alice Walker, author of Taking the Arrow Out of the Heart
“Powerful with love, and tender about what it needs to be tender about, and direct, even fierce where it means to tell us what we need to be thinking about what we’ve been doing to this world, to Aguon’s people, and to Indigenous people everywhere, to the land and to all its beings . . . as the dying eight-spot butterfly he writes about, strong and luminous as a needed beacon in a fog of disinformation and dismay, Julian Aguon with this small book emerges already a giant.”
—Tommy Orange, author of There There
“I did not know I needed this book until it had me in its embrace like the oldest and dearest of friends, from the very first page . . . With bottomless love for his people and place, Aguon guides us through a portal to the Pacific, sharing deep insights earned from life on the existential knife’s edge.”
—Naomi Klein, author of How to Change Everything: The Young Human’s Guide to Protecting the Planet and Each Other
“Inspired spiritual and practical wisdom from a Guam lawyer/poet/seer that transmits ways of knowing, feeling, and acting, which speak directly to the mind and heart of everyone on the planet. If reading this short book doesn’t change your life, nothing will.”
—Richard Falk, author of Public Intellectual: The Life of a Citizen Pilgrim
“A breathtaking book and I mean it—this book took my breath away . . . alive with passion, wisdom, and heart, you can almost feel its pulse. A call not only for justice but for a brand-new covenant with our world.”
—Junot Díaz, author of The Brief Wondrous Life of Oscar Wao, winner of the Pulitzer Prize for Fiction
“Aguon’s pen is a spear. He has the unerring ability to pierce the heart of any matter he writes about, from colonialism to climate change, and he writes in a way that both exposes horrors and expresses love to the young.”
—Noenoe K. Silva, author of Aloha Betrayed
“This book is a gift—full of beauty, truth telling, and love. This book will enlighten and inspire anyone interested in understanding and doing something about colonialism, capitalism, racism, militarism, war, and violence of all kinds. As importantly, this book will move you emotionally. It will move you to change how you live your life. It will move you to help change the world for the better.”
—David Vine, author of Base Nation and The United States of War
“Aguon is one of Oceania’s most important thinkers who uses his ability to see through complicated systems to fight for our islands and peoples. With razor-sharp analysis and a ton of heart, he both defends and calls forth our communities. I will regularly return to this book for inspiration—to remind me why I do my own work.”
—Kathy Jetnil-Kijiner, author of Iep Jaltok: Poems from a Marshallese Daughter
“Aguon’s work transcends all boundaries and centers Indigenous relationships to people and place. Whether drawing on his legal or poetic skills, Aguon reckons with the rage and violence of colonialism while gently unfolding a new vision for justice and healing.”
—Holly Barker, author of Bravo for the Marshallese
“Aguon gifts us, in shrunken times, the indigenous version of the all-encompassing vision that Aristotle and his disciple Aquinas bequeathed humanity: truth equals beauty equals goodness.”
—Maivân Lâm, author of At the Edge of the State
“What an incredible gift. This book is a powerful spiritual remix, a multi-scalar tapestry of love, kinship, resistance, and creative survival from Oceania. His tribute to our late elder sister, Teresia, brought tears of grief and joy. Ko bati n rabwa Julian,
‘we will live . . . on our own terms.’”
—Katerina Martina Teaiwa, author of Consuming Ocean Island
“A celebration of Indigenous hope and survival amid the destructive and desecrating forces of militarism, capitalism, and climate change, and a provocation for collective action for just and sustainable futures in the Marianas—a must read for anyone interested in the beauty of Indigenous worlds and struggles for liberation!”
—Christine Taitano DeLisle, author of Placental Politics
“Reading this collection reminds me of being immersed in our ocean. The sunlight that illuminates the water cannot be held, and yet to behold the ways rays and sea dance together opens the soul . . . Aguon is one of Oceania’s most brilliant advocates and expansive voices—a voice that urgently needs to be heard.”
—Noelani Goodyear-Ka‘ōpua, author of The Seeds We Planted
“A devastatingly gentle song of resistance.”
—Jonathan K. K. Osorio, author of Dismembering Lāhui
“Aguon tells the Chamorro story by merging a profound love for our indigenous people and culture with his potent intellect and creative genius.”
—Anne Perez Hattori, author of Colonial Dis-Ease